PRINT

Create your first photo portfolio

A printed portfolio is the perfect way to present yourself and your photos. Here's how to select the shots to include and how to print them, with advice from wildlife photographer Marina Cano.
A zebra rears on its hind legs, pawing the ground with its front legs and raising a cloud of dust. Photo taken on Canon by Marina Cano.

A printed portfolio is the perfect way to showcase your photographs, whether you're entering a photography competition, approaching a tutor or mentor, or just hope to present yourself and your work to other people. But how do you get started when you want to create a photography portfolio?

Nature photographer and Canon Ambassador Marina Cano regularly travels to Africa and South and Central America on photo shoots but started photographing animals in the Cabárceno wildlife park, the largest in Europe, which happened to be near her home in Santander, northern Spain. Over a period of about three years, she built up a portfolio of images, which she turned into her first book.

Based on this background and her experience since then as an in-demand professional photographer, here is Marina's advice on how to make a successful photography portfolio.

Photographer Marina Cano holds a large book open in her hands, showing it to naturalist Jane Goodall, who stands at her side.

A great printed portfolio can lead to many things. In wildlife photographer Marina Cano's case, her portfolio of animal photos became her first book, which she is showing here to renowned naturalist Jane Goodall. © Marina Cano

Photographer Marina Cano smiles at the camera, with one elbow leaning on a large book with a black and white photo of zebras on the cover.

Marina Cano with her book Cabárceno Cantabria, featuring photos she took at the Cabárceno wildlife park. © Marina Cano

1. Be selective when curating your work

The most common mistake that people make is not being selective enough, Marina says. "You need to analyse your photos and be very demanding. Include only the best of the best. Don't just put two similar pictures together, for example, because you like them both. You have to choose." Aim to include no more than about 15 to 20 pictures to start with, but quality is more important than quantity.

2. Construct a narrative with your images

The most effective photography portfolios are not just collections but sequences of pictures, says Marina. "I think one of the most important things is storytelling, presenting something that captivates viewers and guides them through a story with different elements." In Marina's case, this typically includes some landscape shots to set the scene and give context to her wildlife photos.

3. Make a connection with your audience

Marina's wildlife photography is known for capturing the drama and emotion between animals.

"Making an emotional connection, that's the most important thing for me." It's also the key factor she looks for in putting a portfolio together. It's the way to get viewers to remember your work, she says, whether they are picture editors or competition judges.

Two adult hippos lying in the mud, with a baby hippo sleeping between them. Photo taken on Canon by Marina Cano.

Marina says the most important thing in her photography is creating an emotional connection, and this is what a portfolio should aim to do too. An image from Marina's first portfolio taken on a Canon EOS 30D (now succeeded by the Canon EOS 90D) with a Canon EF 100-400mm f4.5-5.6L IS USM lens at 300mm, 1/125 sec, f/6.7, and ISO 250. © Marina Cano

4. Keep your approach fresh

How often should you update your photo portfolio? "As soon as you create more work," Marina says. "For me, it's every time I come back from a trip. I select maybe one or two pictures from the thousands that I've taken. You are growing and learning all the time, so you can produce better work." A good portfolio is one that reflects your very best photography right now.

5. Stay faithful to your style

If you are producing photos for clients, you will try to work out what they are really looking for and get closer to their expectations. But even then, Marina emphasises, you should remain faithful to your own style.

"This is the key," she says. "Don't try to please everyone."

The purpose of a portfolio is not to demonstrate that you can produce commercial photos to different client specifications. Rather, it is to present yourself.

6. Listen to feedback

Although Marina recommends choosing photos that you feel have the most impact, she says it is valuable to get other people's opinions.

"We as photographers are sometimes too close to our work," she says. "It's interesting when someone views your work from a fresh point of view."

So do seek comments from friends, colleagues and everyone who sees your portfolio, and take this into account as you review and refresh its contents.

A close-up of two young giraffes, one with its neck resting on the back of the other's neck. Photo taken on Canon by Marina Cano.

Marina loves black and white prints but often shoots in colour. Whichever you prefer, a colour-managed workflow and calibrated monitor will help ensure that what you get on paper closely matches what you see on screen. Taken on a Canon EOS 30D (now succeeded by the Canon EOS 90D) with a Canon EF 100-400mm f4.5-5.6L IS USM lens at 400mm, 1/800 sec, f/5.6, and ISO 400. © Marina Cano

A Canon imagePROGRAF PRO-300 printer on a light-coloured countertop in a photography studio. The printer has a vibrant photo of a dramatic landscape with a sunset sky in its printing tray.

The Canon imagePROGRAF PRO-300 is the perfect printer for producing your portfolio, delivering gallery-quality prints with stunning colour accuracy and tonal detail.

Printing your portfolio

You might have an inkjet printer that you use for general home or office printing or for projects such as scrapbooks, greeting cards and calendars. This will almost certainly produce perfectly good-quality photo prints, but to really make an impact, it's worth considering one of Canon's best printers for photo printing.

The Canon imagePROGRAF PRO-300 is a cost-effective A3+ printer incorporating advanced professional-level features including the same pigment ink technology used in Canon's Large Format Printers. This means it delivers spectacular print quality for both colour and black and white images on glossy, lustre and matte photo papers, as well as fine art media.

The choice of paper for your portfolio is up to you, but ordinary office paper won't show your photos at their best. Take a look at our guide to the best papers for photo printing, and choose media to suit your subjects and style of photography. Think about the most effective way to present your portfolio, too – you'll give a more professional impression by collecting your prints in a presentation folder, available at little cost from stationery and art supply shops.

Marina's photos are often black and white. "It creates drama and a timeless feeling – a photo could be 40 or 50 years ago, or it could be yesterday," Marina explains. "Black and white works perfectly for the mood and atmosphere I want to create in my work." Producing great monochrome prints is an art itself, but whether you are printing in mono or colour, you will want to be confident that what you get in print is a good match to what you see on-screen. To help ensure this, it is wise to adopt a colour-managed workflow and calibrate your monitor.

Two young elephants playfully rub trunks. Photo taken on Canon by Marina Cano.

Another image from Marina's early portfolio of shots taken in the Cabárceno wildlife park and included in her first book. Taken on a Canon EOS 30D (now succeeded by the Canon EOS 90D) with a Canon EF 100-400mm f4.5-5.6L IS USM lens at 400mm, 1/320 sec, f/5.6, and ISO 320. © Marina Cano

A Boreal lynx sitting on the branch of a tree is lit in golden evening light. Photo taken on Canon by Marina Cano.

You might not secure a book deal on the strength of your first portfolio, but always make sure it reflects your best work and is printed at the best quality to do it justice. Taken on a Canon EOS 30D (now succeeded by the Canon EOS 90D) with a Canon EF 100-400mm f4.5-5.6L IS USM lens at 400mm, 1/320 sec, f/5.6, and ISO 400. © Marina Cano

There's a wide range of software you can use for printing. For a portfolio, it's best to keep things simple and let your photos shine. Don't go overboard with elaborate layouts – stick to one picture to a page unless there's a very good reason not to – and avoid filters and special effects (unless, of course, your proficiency with these is what you're aiming to showcase).

For a professional finish and greater control over the process, it's a good strategy to use the software and workflow that professionals use. Edit and optimise your photos for printing using your preferred editing software, whether that's Adobe Photoshop*1 or Canon's own Digital Photo Professional (DPP). To get the best from your Canon printer, paper and inks, use Canon's Professional Print and Layout software (PPL) to manage the print process – this works both as a standalone app and as a plug-in for Photoshop or DPP.

For consistent colour accuracy, PPL and other software can print using ICC profiles, which fine-tune the printer settings on compatible printers to suit the specific paper you've chosen. To minimise wastage of paper and ink, PPL enables you to soft proof on-screen – with a calibrated monitor, this can accurately preview how your print will look. You can also use PPL's clever Pattern Print feature, which outputs a test print on your chosen paper containing a set of thumbnails of your image, each with slightly different brightness, colour balance and contrast settings. Simply choose the best to print at full size.

Printing isn't a mysterious art, or something separate from photography. "The photography journey is a creative journey, from going to a place and taking the shot to printing," Marina says. "My advice is to learn editing, learn printing – learn the whole creative process."

And, most importantly, Marina advises:

"Don't rush. Create a good body of work first, and from that create a portfolio that reflects your own style. Be very demanding, and focus on creating impact and emotion."

  1. *Adobe and Photoshop are either registered trademarks or trademarks of Adobe in the United States and/or other countries.

Written by Alex Summersby

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