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An impression of infinity
Artist Wim Tellier turns photography into huge installations of 'landscape art'. The latest is a 1km long print installation entitled 'Share'.
Years ago, selecting a restaurant based on how it would look in photography was the reserve of big events, but todayâs eateries are giving equal consideration to their interior design and âInstagrammabilityâ as they do conceiving their dishes and curating wine lists. In a world where every customer can be a critic or an advocate, every minute detail of the âexperienceâ must be attended to.
âSuper restaurantâ, Hide opened earlier this year and is already a wild commercial and social media success. Situated overlooking Green Park in Londonâs exclusive Mayfair, it is the perfect amalgamation of âfood to die forâ â which looks as glorious as it tastes â in a setting of impossibly good lighting and attention to detail that makes every inch of its three floors a photographerâs dream.
The experience is seamless, yet delineated, with three defined spaces â âaboveâ, âgroundâ and âbelowâ, where you find delightful themed private dining spaces. An atmospheric basement bar leads into a stunning walk-through wine cellar, filled from floor to ceiling with a curated selection of wines from Hideâs owners â the boutique vintner Hedonism Wines.
Walking through Hide, you could be forgiven for thinking of it as an indulgent concept experience, as not a single inch of the building has not received careful consideration and delicate, personal touches that could easily be overlooked. Yet Rose Murray of the high-end luxury design studio âThese White Wallsâ, accurately describes the ground floor space as âhandsome, yet homelyâ.
However, Hide is as far from style over substance as itâs possible to be â as its recently awarded Michelin Star attests. To earn a star within five months of opening is an extraordinary achievement by anyoneâs standards. To create a space where the interior is competing with the food for hashtags is next level.
Itâs a stark contrast to last yearâs controversial decision by culinary living legends, Michel & Albert Roux to ban photography at their three Michelin-starred Waterside Inn in Bray, UK. But social media sharing is a key ingredient to the appeal of Hide. Although imbued with the imagery of nature throughout, scrutiny shows you arrangements that betray the shapes of social media, with neat archways framing tables and lights positioned so as not so overshadow the food. Even perennial Instagram favourite, âthe bathroom selfieâ requires no filters. The flattering lighting around the mirrors simply cannot be improved.
For Tatiana Fokina, the CEO of Hide and former gallerist, aesthetic is absolutely critical to the experience of the diner. âWe wanted our guests to fill a little bit like children exploring a new place and bring in a sense of surprise and quest,â she explains. âThe space is filled with tactile textures, hidden details that keep revealing themselves every time you come to the restaurant, elements that reference Ollieâs dishes, hidden objectsâŠâ
Among these surprises are Tatianaâs own footprints, embedded into the wooden floors, lightboxes that cast shadows of woodland creatures onto the wall and the piece de resistance sweeping staircase, handcrafted in Poland and spans from the basement to âAboveâ.
Chef Ollie Dabbous worked closely with Tatiana and the designers to create the necessary synergy between his food and its home. However, despite being no stranger to a Michelin star and a celebrity in his own right, he keeps a very low profile on social media. Does this affect his approach to creating dishes for the Instagram generation?
âI try to produce food that looks as good as it tastes,â says Ollie. âThis is for everyoneâs pleasure, rather than done specifically to entice on social media. The visual appeal comes from clean lines, organic uncluttered plating, and genuine care and emotional investment in what I am doing. If people want to photograph it and share it, then that is their prerogative.â
The genuine care and emotional investment of Ollie and Tatiana is undisputable. And although Ollieâs artistry as a chef is in no way just for the gaze of a lens, visitors to Hide equally photograph the food and the dĂ©cor. Whether deliberate or accidental, together they have created precisely the experience todays diner is looking for and that, or Ollie Dabbousâ commitment to exceptional food, doesnât look to be changing any time soon.
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